Our strategic objectives

5. Develop more direct connections with consumers

BBC Worldwide has both great brands and extensive international distribution platforms. But we know our growth will be constrained unless we put the consumer at the heart of everything we do.

We are therefore focusing on:

  • Deploying brand management skills on key intellectual properties.

  • Understanding our consumers better.

  • Continuing to build strong relationships between consumers and our major brands, especially via social media.

  • Growing consumer loyalty and commercialising it for our major brands through customer relationship management (CRM) systems.

Develop more direct connections with consumers

Events such as the Top Gear Live tour and the Doctor Who arena show give fans an intense face-to-face experience of their favourite shows. Over 9m fans have attended a BBC Worldwide live event to date.

Next steps

  • Review how we gather information about our consumers and major brands in key markets

  • Accelerate our use of social media to help fans interact with our major brands

  • Develop our CRM capability throughout the company including CRM plans for each business to drive customer acquisition and average revenue per user

  • Build up our existing Live Events business


Progress in 2010/11

Getting closer to consumers, building strong relationships with them, and using the insight gained from this to develop better products, are all essential to our growth strategy.


Digital

Digital platforms are highly important in understanding consumer preferences. We can now immediately see if something has caught fans' interest as the number of views, likes or fans climbs.

Social media, such as Facebook and Twitter, are particularly key. With Top Gear, for example, we had our first hugely successful experience in building a fanbase online via Facebook, outlined below. Based on this learning, we then launched a Facebook page for Doctor Who in December 2010, and in just a few months it had 800,000 fans. Via this, we engage daily with fans, give them the most up-to-date news, and provide a single destination for all things Doctor Who. The page has also proved a valuable marketing tool, delivering 12.6% of traffic to the BBC's Doctor Who website to date.

The key characteristics of online are that it is immediate and global. But if fans haven't been able to see the latest episode of their favourite TV series, they can't be part of the global online conversation about it. Consequently, they no longer wait for shows to be aired by a local broadcaster (often long after the initial transmission in the home territory) but find them, legally or illegally, on the internet.

For this reason we have been working to bring closer together the transmission times of major series broadcast in our main English-speaking markets of the UK, USA and Australia. In April 2011, the latest series of Doctor Who launched within 24 hours in the UK and USA. The ratings results for the premiere in the USA were our highest ever (1.4m). Doctor Who was also the number-three TV series purchased globally on iTunes in 2010/11. In the USA this was largely driven by our highest-ever level of marketing investment - including social media engagement.


Consumer insights

We also use our understanding of what consumers want to build better products for them. When Lonely Planet was developing its new Discover and core guidebook series, it used focus groups and surveyed its panel of over 3500 international travellers to ensure they would appeal to consumer segments that were currently underserved. Since the Discover series launched in March 2010, Lonely Planet's sales of all its guides to the destinations  covered by the series have increased by 32.5%.


Live Events

Perhaps the richest experience for TV fans is to engage with their favourite show live. To this end, we have further developed our Live Events business in the year. Over 2m people visited a BBC live show somewhere in the world in 2010/11, bringing total attendance at our events to date to over 9m. We mounted another international Top Gear Live tour featuring the UK show's presenters. Walking with Dinosaurs was rated the most successful world tour of 2010 (Pollstar). And in the UK, our team produced a Doctor Who live arena show and our first Experience and Exhibition. Both opened in London to critical and public acclaim.


Films

Audiences also enjoy seeing natural history footage on the big screen and immersing themselves in new worlds through quality 3D productions. Therefore a new venture was created for our natural history umbrella brand BBC Earth. In November 2010, BBC Earth Films announced the development of three major natural history films: One Life, Walking with Dinosaurs 3D and Enchanted Kingdom 3D. We intend these to be ground-breaking "event films" that will bring the natural world's most awe-inspiring stories to cinema screens across the globe.

Social Media Friends and Fans

In 2009 we took over the curation of two unofficial fan pages (for Top Gear and its mystery racing driver The Stig) that had been set up on Facebook. By uploading exclusive material, regularly refreshing content and carefully observing what appealed to fans, we grew the fanbase from 500,000 to over 11m by March 2011. Links on the Facebook pages to our topgear.com site prompt fans to visit and take up transactional opportunities for videos or live event tickets. Around 25% of traffic to topgear.com now comes via Facebook.

Social Media
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Lonely Planet Discover guides

Lonely Planet developed its new
Discover short-trip series following
in-depth research across its
international consumer base.